I’m on auto pilot right now!”īack in the days before the internet matured into the pop culture beast it’s since become, the old G4 melded the web’s anything-goes indie spirit with big-budget TV production. “But with the launch of G4, and getting a voice in a video game and doing something with Mark Hamill, it all just came on at once. “A lot of things are happening all at once!” she says. As for Fiona, a Rooster Teeth alum who seems to turn up just about everywhere you look online these days - well, the G4 relaunch is just the pinnacle of what’s been a seriously busy 2021.
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Kassem’s YouTube past is strewn with hilarious man-on-the-street clips and skits from the Steam Award-winning California On series as well as Going Deep and Street Music. The goal of the show is to make the game accessible!”įiona and Kassem both cut their creative teeth in the online world of indie entertainment.
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My strengths are improv comedy, so as a player, I’m learning how to play D&D in real time. I think that’s part of why I was asked to do at least the first season. “To be honest, I haven’t had a lot of experience with Dungeons & Dragons. “We’ve been saying it’s like Whose Line is it Anyway? meets Dungeons & Dragons,” adds Kassem. I think the special thing about this is how immersive we’re going to be getting, especially in the comedic and improv sense…we’re leaning very comedy-heavy.”
And we kind of create and build that story and immerse ourselves into it. “The main thing in Dungeons and Dragons is, there’s always a plot there always is a story around it. “Essentially, what’s different about Invitation to Party is that it is the same heart it is the same role playing, but we’re actually doing a lot more improv,” she recently explained to SYFY WIRE. “The voice is very comedic - but it’s like comedic improv,” says Fiona, who, like Kassem, confesses to being a D&D newb. What better way to spice up Dungeons & Dragons than with comedy? That’s the thinking behind Invitation to Party, a series that aims to get fans invested in players’ weekly fortunes (or misfortunes) by yanking at the the silly emotional nerve pulsing just beneath the triumphs and travails that mount with every roll of the dice.
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